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What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
  • Words 9
  • Paul Florez 7
  • Comics 6
  • Fantasia Festival 5
  • Art 3
  • Franchise Explainer 3
  • NYC Horror Film Festival 3
  • Robbie and Randall 3
  • Theater 2

Featured posts:

Featured
The Alejandro Jodorowsky Primer
July 7, 2017
The Alejandro Jodorowsky Primer
July 7, 2017

No word could better describe Alejandro Jodorowsky than hyperbole. He’s the embodiment of enthusiastic and emphatic energy unfettered from the physical world. He dances on a plane of existence to which we should all strive.

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July 7, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017

Filmmaker Nacho Vigalondo defies classification. He’s a sensation that exists somewhere between a contagious laugh and a sinister whisper. He’s a rare element formed by ancient mystics using unknowable alchemy. Nacho is hyperbole personified. Both he and his films exert a powerful gravity that pulls you in immediately.

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April 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016

The Eyes of My Mother was the very last film we watched at this year’s Fantastic Fest, and it also happened to leave one of the greatest impressions. The debut feature from writer/director Nicolas Pesce is a gorgeously shot work of horror with a career-launching performance by Kika Magalhães as Francisca, a young woman shaped by tragedy and isolation. Borrowing from our mini-review: To call the performance cold and detached would be an understatement. Every expression and movement is practically inhuman, as though her character truly never had a point of reference for how people act. Ms. Magalhães is simultaneously frightening and heartbreaking as the ethereal Francisca. With the film’s official release just days away, we sat down with Ms. Magalhães for an informative and fun conversation.  World, meet Kika Magalhães…

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November 28, 2016
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September 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
September 29, 2016

When you go to Fantastic Fest you expect to see a few films that surprise you. You’re never disappointed, but there are always those two, three, even five movies that you just can’t stop thinking and talking about after you leave. They capture the stories that you kind of fall in love with. This year, one of those films was Colossal.

The setup for Colossal isn’t necessarily simple, but here it goes. Gloria (Anne Hathaway) tries to deal with her alcoholism by going back to her hometown. Once there, she reconnects with her childhood friend, Oscar (Jason Sudeikis). They quickly indulge each others bad habits and become drinking buddies. After a particularly heavy couple of nights, the two learn that they could in fact be connected to the monsters suddenly appearing and destroying Seoul, Korea.

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September 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015

Acclaimed Danish filmmaker Nicolas Winding Refn is no stranger to Fantastic Fest, appearing in 2013 with Jodorowsky’s Dune and again last year for the documentary My Life Directed by Nicolas Winding Refn directed by his wife Liv Corfixen. He returned once again this year with Fantastic Fest serving as the perfect launching pad for his new book Nicolas Winding Refn: The Act of Seeing.

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October 5, 2015

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Review: ‘Kiss of the Damned’

July 08, 2013 in Film, Reviews, Robbie Imes

The legend of Nosferatu never ceases to amaze, though it’s rare that a vampire movie is exciting anymore. The genre has been handed over to tweens and housewives and rabid bastions of non-taste in favor of safe-bets and box office revenue. The raw sex appeal, style, and yes, horror, three key factors that make these tales so alluring, have systematically been stripped away in favor of puppy-love and cutsie PG rated innuendoes. The vampire, it seems, has finally died.

But fans of this horror subgenre know that the vampire never really dies, it just goes back into the coffin for a while. It lurks beneath the floorboards, brooding and waiting, dreaming up new ways in which to fascinate and terrify a new generation. And good thing, because the best stories of the erotically undead come out of this brooding period.

One of those films is the curious, awesome Kiss of the Damned. It stars the inappropriately hot Milo Ventimiglia as Paolo, a successful writer who has escaped the city to a cottage in a small, upstate town. He’s sought tranquility from the crazy New York streets to focus on writing his next big hit, a film that everyone back home seems to be eager for.

Paolo isn’t there long before he crosses paths with Djuna, played by the haunting Josephine de La Baume, a mysterious, sexual creature whom he cannot control himself around. Things only get more complicated when she at first invites him home for a casual fuck, then denies him when her ravenous urges take over. You see, Djuna is a vampire.

I won’t give too much of the plot away, but wouldn’t be ruining much if I did. It follows along with an acceptably semi-predictable narrative, though the ride is never unenjoyable. The character’s reactions to these familiar plot twists are what’s really refreshing, though, and make it that much better. Oh, and the sex scenes are serious business.

Things get even more interesting when the mesmerizingly cunty Mimi, played by beauty Roxane Mesquida, shows up to wreak havoc on these “newlyweds” newfound solace. The film is sexy, always intriguing, and artful, a rarity among genre offerings.

One of the things that truly sets this movie apart is its gothic, 70s Euro-trash aesthetic. You can almost hear characters’ heartbeats, the wetness in their whispers, and you feel the icy tone of each night scene across the wilderness. And the score is some badass shit. If Mondo doesn’t steal the rights for a sick ass vinyl pressing, I’d be shocked.

Kiss of the Damned is directed by Alexandra Cassavetes, or “Xan” Cassavetes, daughter of the famed actor-director John Cassavetes and actress Gena Rowlands. Considering her influences, it’s no wonder the movie is so memorable.

Full of hot sex, blood, secret societies, and mysterious housekeepers, horror fans don’t want to miss this movie. And if you’re not a fan of horror, but just honest-to-god stylish storytelling, then give it a go.

I give it a five Devil Heads

Tags: Robbie Imes
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