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What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
  • Words 9
  • Paul Florez 7
  • Comics 6
  • Fantasia Festival 5
  • Art 3
  • Franchise Explainer 3
  • NYC Horror Film Festival 3
  • Robbie and Randall 3
  • Theater 2

Featured posts:

Featured
The Alejandro Jodorowsky Primer
July 7, 2017
The Alejandro Jodorowsky Primer
July 7, 2017

No word could better describe Alejandro Jodorowsky than hyperbole. He’s the embodiment of enthusiastic and emphatic energy unfettered from the physical world. He dances on a plane of existence to which we should all strive.

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July 7, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017

Filmmaker Nacho Vigalondo defies classification. He’s a sensation that exists somewhere between a contagious laugh and a sinister whisper. He’s a rare element formed by ancient mystics using unknowable alchemy. Nacho is hyperbole personified. Both he and his films exert a powerful gravity that pulls you in immediately.

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April 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016

The Eyes of My Mother was the very last film we watched at this year’s Fantastic Fest, and it also happened to leave one of the greatest impressions. The debut feature from writer/director Nicolas Pesce is a gorgeously shot work of horror with a career-launching performance by Kika Magalhães as Francisca, a young woman shaped by tragedy and isolation. Borrowing from our mini-review: To call the performance cold and detached would be an understatement. Every expression and movement is practically inhuman, as though her character truly never had a point of reference for how people act. Ms. Magalhães is simultaneously frightening and heartbreaking as the ethereal Francisca. With the film’s official release just days away, we sat down with Ms. Magalhães for an informative and fun conversation.  World, meet Kika Magalhães…

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November 28, 2016
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September 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
September 29, 2016

When you go to Fantastic Fest you expect to see a few films that surprise you. You’re never disappointed, but there are always those two, three, even five movies that you just can’t stop thinking and talking about after you leave. They capture the stories that you kind of fall in love with. This year, one of those films was Colossal.

The setup for Colossal isn’t necessarily simple, but here it goes. Gloria (Anne Hathaway) tries to deal with her alcoholism by going back to her hometown. Once there, she reconnects with her childhood friend, Oscar (Jason Sudeikis). They quickly indulge each others bad habits and become drinking buddies. After a particularly heavy couple of nights, the two learn that they could in fact be connected to the monsters suddenly appearing and destroying Seoul, Korea.

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September 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015

Acclaimed Danish filmmaker Nicolas Winding Refn is no stranger to Fantastic Fest, appearing in 2013 with Jodorowsky’s Dune and again last year for the documentary My Life Directed by Nicolas Winding Refn directed by his wife Liv Corfixen. He returned once again this year with Fantastic Fest serving as the perfect launching pad for his new book Nicolas Winding Refn: The Act of Seeing.

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October 5, 2015

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The Path of Excess – An Exciting Piece of Film Promotion

October 23, 2015 in Film, Nerdy, Reviews, Randall Lotowycz

Standing out among the glut of indie horror films is never an easy task. A strong trailer is typically a safe and effective way to grab audiences’ attention and build buzz, but every film has a trailer. It’s hardly unique. Perhaps that is why I was so pleasantly surprised to hear about the upcoming film Excess Flesh not from a trailer, but a music video.

Music video tie-ins to films were prevalent throughout much of the 90s, garnering frequent airplay on MTV and showing off a hard-to-ignore tune folks would find in the film once it was in theaters. In that tradition, Patrick Kennelly, the director of Excess Flesh, and the film’s composer Jonathan Snipes teamed up to create this excellent video for the track “I Don’t Race” featuring the film’s star Mary Loveless.

They certainly got my attention. The throwback quality aside, the juxtaposition of the colorful dancers and the horrific film clips create something that’s hard to ignore. It doesn’t hurt that the song is catchy. Of course, I’m a little biased. How could I not be a complete sucker for “Jennifer and the Filthy Cunts”?

The video provokes the questions, “What is this and how do I see it?” Of course I then sought out the trailer, a bit of a nastier viewing that let’s everyone know what they’re in for. Jill (Bethany Orr) doesn’t quite fit in with her environment, the hot LA Fashion scene embodied by her new roommate Jennifer (Loveless). She grows infatuated with Jennifer. First she wants to be just like her. But when Jill realizes she can’t achieve Jennifer’s beauty, she might just have to destroy it. Sign me up, please.

The film is Kennelly’s feature debut. You may already be familiar with Snipes’s music if you’ve seen last year’s horror standout Starry Eyes or the documentary Room 237. Excess Flesh opens at The Downtown Independent in Los Angeles on October 30th. Tickets can be purchased here. Here’s hoping for an NYC release soon after.

Tags: Randall Lotowycz
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