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What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
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Featured posts:

Featured
The Alejandro Jodorowsky Primer
July 7, 2017
The Alejandro Jodorowsky Primer
July 7, 2017

No word could better describe Alejandro Jodorowsky than hyperbole. He’s the embodiment of enthusiastic and emphatic energy unfettered from the physical world. He dances on a plane of existence to which we should all strive.

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July 7, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017

Filmmaker Nacho Vigalondo defies classification. He’s a sensation that exists somewhere between a contagious laugh and a sinister whisper. He’s a rare element formed by ancient mystics using unknowable alchemy. Nacho is hyperbole personified. Both he and his films exert a powerful gravity that pulls you in immediately.

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April 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016

The Eyes of My Mother was the very last film we watched at this year’s Fantastic Fest, and it also happened to leave one of the greatest impressions. The debut feature from writer/director Nicolas Pesce is a gorgeously shot work of horror with a career-launching performance by Kika Magalhães as Francisca, a young woman shaped by tragedy and isolation. Borrowing from our mini-review: To call the performance cold and detached would be an understatement. Every expression and movement is practically inhuman, as though her character truly never had a point of reference for how people act. Ms. Magalhães is simultaneously frightening and heartbreaking as the ethereal Francisca. With the film’s official release just days away, we sat down with Ms. Magalhães for an informative and fun conversation.  World, meet Kika Magalhães…

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November 28, 2016
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September 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
September 29, 2016

When you go to Fantastic Fest you expect to see a few films that surprise you. You’re never disappointed, but there are always those two, three, even five movies that you just can’t stop thinking and talking about after you leave. They capture the stories that you kind of fall in love with. This year, one of those films was Colossal.

The setup for Colossal isn’t necessarily simple, but here it goes. Gloria (Anne Hathaway) tries to deal with her alcoholism by going back to her hometown. Once there, she reconnects with her childhood friend, Oscar (Jason Sudeikis). They quickly indulge each others bad habits and become drinking buddies. After a particularly heavy couple of nights, the two learn that they could in fact be connected to the monsters suddenly appearing and destroying Seoul, Korea.

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September 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015

Acclaimed Danish filmmaker Nicolas Winding Refn is no stranger to Fantastic Fest, appearing in 2013 with Jodorowsky’s Dune and again last year for the documentary My Life Directed by Nicolas Winding Refn directed by his wife Liv Corfixen. He returned once again this year with Fantastic Fest serving as the perfect launching pad for his new book Nicolas Winding Refn: The Act of Seeing.

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October 5, 2015

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Swimming with Dickshark – A Review

March 18, 2016 in Film, Reviews, Randall Lotowycz

Sometimes when I’m bored, I browse upcoming DVD releases. Often I come across something incredibly strange and debate whether I need to watch it. Typically I move on to the next release. But, now and then, the impulse to buy the DVD is overwhelming and my wallet suffers from the likes of Dickshark

A poorly endowed man uses what he thinks is his roommate’s penis enlargement cream. Spoiler alert—it’s not actually penis enlargement cream. His roommate Dick, the film’s protagonist, was attempting to hide his latest science experiment, figuring no man would be shameless enough to use the contents of the jar. The substance turns the man’s penis claylike and he logically proceeds to sculpt it into the shape of a shark. Sure enough, his dickshark comes to life and bites off his fingers. His girlfriend shoots it off, killing him in the process, and flushes the dickshark in the toilet. It survives, only to begin terrorizing other women. Now Dick must find a way to stop it while also preventing his experimental formula from falling into the wrong hands.

This film is two and a half hours long.

When labia is visible during the opening credits, the tone is set for a special sort of film. Another sign of its specialness? A typo in the opening credits, not capitalizing one actress’s name (apologies to Kathy Rice). Dick, played by the film’s director/writer Bill Zebub, jokes early on that he’s the not the kind a guy who can only get women by hiring them to be in a film. He then proceeds to fondle the breasts of every women he encounters throughout the rest of the film. These acts always have a purpose, as spelled out in lengthy conversations that occur during the fondling. For example, Dick spends five minutes groping a women to get her aroused before she gets into the bathtub to lure the dickshark out of the drain. Don’t expect everything to get spelled out, though. Like why the dickshark—once fully grown—has a fin shaped like a penis that’s capable of ejaculating in addition to its fully functional penis. Sometimes you just have to suspend disbelief.

After a couple of more vaginal close-ups, I got the sense Dickshark wasn’t going to be some fun, trashy body horror film involving freak genitals. Nope, I was watching porn. Not just any porn though. At times I felt like I was watching something from Zebub’s personal collection. Here he shares what turns him on and what gets him off. Other times, like when a woman is raped and killed by giant mutant spider more lifeless and fake than the baby in American Sniper, I don’t know why I’m bothering to think about what I’m watching.

I give Zebub props for hiring women with real bodies and not masking their imperfections—nary a butt shot was devoid of pimples or cellulite—but I can’t turn around and say this film is a champion of the body positive movement. Nor can I, in good faith, recommend that anyone watch this film. Dickshark is like the demented love child of Tinto Brass and Troma for which we never asked. For some actual fun, trashy body horror involving freak genitals, check out Mitchell Lichtenstein’s Teeth or Frank Henenlotter’s Bad Biology. Leave Dickshark to the poor souls who blindly buy a movie based on its ridiculous (or re-dick-ulous, as Zebub emphasizes within the film) title.

P.S., all week I’ve had a modified version the sixties Batman theme in my head: Na Na Na Na Na Na Na Na Dickshark! No apologies if it’s now stuck in yours.

Tags: Randall Lotowycz
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