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What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
  • Words 9
  • Paul Florez 7
  • Comics 6
  • Fantasia Festival 5
  • Art 3
  • Franchise Explainer 3
  • NYC Horror Film Festival 3
  • Robbie and Randall 3
  • Theater 2

Featured posts:

Featured
The Alejandro Jodorowsky Primer
July 7, 2017
The Alejandro Jodorowsky Primer
July 7, 2017

No word could better describe Alejandro Jodorowsky than hyperbole. He’s the embodiment of enthusiastic and emphatic energy unfettered from the physical world. He dances on a plane of existence to which we should all strive.

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July 7, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017

Filmmaker Nacho Vigalondo defies classification. He’s a sensation that exists somewhere between a contagious laugh and a sinister whisper. He’s a rare element formed by ancient mystics using unknowable alchemy. Nacho is hyperbole personified. Both he and his films exert a powerful gravity that pulls you in immediately.

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April 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016

The Eyes of My Mother was the very last film we watched at this year’s Fantastic Fest, and it also happened to leave one of the greatest impressions. The debut feature from writer/director Nicolas Pesce is a gorgeously shot work of horror with a career-launching performance by Kika Magalhães as Francisca, a young woman shaped by tragedy and isolation. Borrowing from our mini-review: To call the performance cold and detached would be an understatement. Every expression and movement is practically inhuman, as though her character truly never had a point of reference for how people act. Ms. Magalhães is simultaneously frightening and heartbreaking as the ethereal Francisca. With the film’s official release just days away, we sat down with Ms. Magalhães for an informative and fun conversation.  World, meet Kika Magalhães…

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November 28, 2016
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September 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
September 29, 2016

When you go to Fantastic Fest you expect to see a few films that surprise you. You’re never disappointed, but there are always those two, three, even five movies that you just can’t stop thinking and talking about after you leave. They capture the stories that you kind of fall in love with. This year, one of those films was Colossal.

The setup for Colossal isn’t necessarily simple, but here it goes. Gloria (Anne Hathaway) tries to deal with her alcoholism by going back to her hometown. Once there, she reconnects with her childhood friend, Oscar (Jason Sudeikis). They quickly indulge each others bad habits and become drinking buddies. After a particularly heavy couple of nights, the two learn that they could in fact be connected to the monsters suddenly appearing and destroying Seoul, Korea.

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September 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015

Acclaimed Danish filmmaker Nicolas Winding Refn is no stranger to Fantastic Fest, appearing in 2013 with Jodorowsky’s Dune and again last year for the documentary My Life Directed by Nicolas Winding Refn directed by his wife Liv Corfixen. He returned once again this year with Fantastic Fest serving as the perfect launching pad for his new book Nicolas Winding Refn: The Act of Seeing.

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October 5, 2015

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Uneasy Riders – A Review of The Flying Dutchmen

August 30, 2016 in Film, Reviews, Randall Lotowycz

If all went according to plan, Jon would drive his friend/mentor Daryl on a 3,000-mile trip to the Pacific Northwest on a custom motorcycle fitted with a sidecar. The trip would fulfill a longstanding promise and allow Jon to pay Daryl back for helping him through rough times. It had a sense of urgency as Daryl suffered from degenerative eye disease that’ll leave him blind. He’d likely never have another opportunity like this one. But in the grand tradition of road trips, nothing went as planned.

Faced with a myriad of difficulties, including the motorcycle completely falling apart, Jon and Daryl kept pushing forward, determined to reach their destination. In this charming debut documentary by directed by Kendal Miller, all the peaks and valleys of their journey were captured in a highly cinematic and heartfelt manner.Both men are instantly likable in their unique ways. Jon Helmuth (also the film’s executive producer) glows with boyish enthusiasm and occasional shortsightedness–such as writing directions on his hand before realizing he won’t be able to see them when he wears his gloves. Daryl Zook is kind to a degree that’s rarely seen, a man who wants to give and never ask for anything in return. The chemistry between the two men is instantly palpable, and it’s clear they bring out the best in each other, even when faced with their frequent setbacks on the road.

Of course the success of the trip isn’t just reaching the destination, but the emotional journey of the two men. It is a joy to watch the instances when they open up to one another, pushing past the jovial banter that has clearly defined their relationship for years. You can feel the weight of the years in their words. Perhaps the only shortcoming in the film wanting to know even more about each of the men. We’re given enough to go on, but every now and then, little bits of their personal backstories are teased, such the details of Jon’s marriage and Daryl’s large adopted family. Though it would probably veer too off course for the film, every now and then I wanted to be given just a little more detail.

It’s easy to see why the film won Best Cinematography at the Festival South Film Expo; it’s simply stunning thanks to the talents of Matthew Jeppsen. Combining that with a great original score and fine editing, the film has all the sheen and polish of a major motion picture. Sometimes you might forget you’re watching a documentary. Certainly some of the on-the road shots had to be planned or staged, but never does that distract from the narrative. When the trip concludes, you’re left wanting to experience many more travels with Jon and Daryl.

The Flying Dutchmen is a genuine and accomplished documentary that captures the sort of friendship for which everyone should strive.

Tags: Randall Lotowycz
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