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What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
  • Words 9
  • Paul Florez 7
  • Comics 6
  • Fantasia Festival 5
  • Art 3
  • Franchise Explainer 3
  • NYC Horror Film Festival 3
  • Robbie and Randall 3
  • Theater 2

Featured posts:

Featured
The Alejandro Jodorowsky Primer
July 7, 2017
The Alejandro Jodorowsky Primer
July 7, 2017

No word could better describe Alejandro Jodorowsky than hyperbole. He’s the embodiment of enthusiastic and emphatic energy unfettered from the physical world. He dances on a plane of existence to which we should all strive.

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July 7, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017

Filmmaker Nacho Vigalondo defies classification. He’s a sensation that exists somewhere between a contagious laugh and a sinister whisper. He’s a rare element formed by ancient mystics using unknowable alchemy. Nacho is hyperbole personified. Both he and his films exert a powerful gravity that pulls you in immediately.

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April 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016

The Eyes of My Mother was the very last film we watched at this year’s Fantastic Fest, and it also happened to leave one of the greatest impressions. The debut feature from writer/director Nicolas Pesce is a gorgeously shot work of horror with a career-launching performance by Kika Magalhães as Francisca, a young woman shaped by tragedy and isolation. Borrowing from our mini-review: To call the performance cold and detached would be an understatement. Every expression and movement is practically inhuman, as though her character truly never had a point of reference for how people act. Ms. Magalhães is simultaneously frightening and heartbreaking as the ethereal Francisca. With the film’s official release just days away, we sat down with Ms. Magalhães for an informative and fun conversation.  World, meet Kika Magalhães…

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November 28, 2016
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September 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
September 29, 2016

When you go to Fantastic Fest you expect to see a few films that surprise you. You’re never disappointed, but there are always those two, three, even five movies that you just can’t stop thinking and talking about after you leave. They capture the stories that you kind of fall in love with. This year, one of those films was Colossal.

The setup for Colossal isn’t necessarily simple, but here it goes. Gloria (Anne Hathaway) tries to deal with her alcoholism by going back to her hometown. Once there, she reconnects with her childhood friend, Oscar (Jason Sudeikis). They quickly indulge each others bad habits and become drinking buddies. After a particularly heavy couple of nights, the two learn that they could in fact be connected to the monsters suddenly appearing and destroying Seoul, Korea.

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September 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015

Acclaimed Danish filmmaker Nicolas Winding Refn is no stranger to Fantastic Fest, appearing in 2013 with Jodorowsky’s Dune and again last year for the documentary My Life Directed by Nicolas Winding Refn directed by his wife Liv Corfixen. He returned once again this year with Fantastic Fest serving as the perfect launching pad for his new book Nicolas Winding Refn: The Act of Seeing.

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October 5, 2015

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Better Watch Out – A Fantastic Fest 2016 Review

September 24, 2016 in Fantastic Fest, Film, Reviews, Randall Lotowycz

12-year old Luke (Levi Miller) is in love with his babysitter, Ashley (Oliva DeJonge). He holds out hope they can overcome the 5-year age gap between them, but time is running out because she’s set to move away in a few days. When his parents (played by Virginia Madsen and Patrick Warburton) hire her to watch him one last time on a snowy December night, Luke knows it’s now or never. He has it all planned out, until they find themselves threatened by a home invasion.

Better Watch Out, directed by Chris Peckover, owes equal debt to Home Alone and more sinister home-invasion horror films. It’s a film that thrives on its plot twists. To go into details on the plot would do a disservice to viewers, who should go in knowing as little as possible. The story, conceived by Zack Kahn, and written by Kahn and Peckover, cleverly subverts expectations at every turn. What starts off light and playful swiftly becomes sinister and bleak.

With a running time of just under 90 minutes, the film effectively utilizes every moment. There’s zero flab to be found in this well-shot and edited feature. It oscillates from strategically placed jump scares to genuine terror. By the time an homage to Home Alone comes into play, both the characters and the audiences are in for a shock at the horrific results.

The natural performances of the young cast build off the strong foundation of the script. They possess all the genuine qualities found recently in the cast of Stranger Things. Levi Miller in particular shines. His range is remarkable with charm and intensity reminiscent of an early Leonardo DiCaprio. Watching him carry this film was pure joy. Not to be overshadowed, Oliva DeJonge also impressed with her assured and no-nonsense performance.

Don’t read spoilers. Don’t even watch the trailer (I haven’t). Go in blind, expecting a new take on the home invasion genre, and see what unfolds. You won’t be disappointed if by what you see.

Tags: Randall Lotowycz
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