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What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
  • Words 9
  • Paul Florez 7
  • Comics 6
  • Fantasia Festival 5
  • Art 3
  • Franchise Explainer 3
  • NYC Horror Film Festival 3
  • Robbie and Randall 3
  • Theater 2

Featured posts:

Featured
The Alejandro Jodorowsky Primer
July 7, 2017
The Alejandro Jodorowsky Primer
July 7, 2017

No word could better describe Alejandro Jodorowsky than hyperbole. He’s the embodiment of enthusiastic and emphatic energy unfettered from the physical world. He dances on a plane of existence to which we should all strive.

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July 7, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017

Filmmaker Nacho Vigalondo defies classification. He’s a sensation that exists somewhere between a contagious laugh and a sinister whisper. He’s a rare element formed by ancient mystics using unknowable alchemy. Nacho is hyperbole personified. Both he and his films exert a powerful gravity that pulls you in immediately.

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April 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016

The Eyes of My Mother was the very last film we watched at this year’s Fantastic Fest, and it also happened to leave one of the greatest impressions. The debut feature from writer/director Nicolas Pesce is a gorgeously shot work of horror with a career-launching performance by Kika Magalhães as Francisca, a young woman shaped by tragedy and isolation. Borrowing from our mini-review: To call the performance cold and detached would be an understatement. Every expression and movement is practically inhuman, as though her character truly never had a point of reference for how people act. Ms. Magalhães is simultaneously frightening and heartbreaking as the ethereal Francisca. With the film’s official release just days away, we sat down with Ms. Magalhães for an informative and fun conversation.  World, meet Kika Magalhães…

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November 28, 2016
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September 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
September 29, 2016

When you go to Fantastic Fest you expect to see a few films that surprise you. You’re never disappointed, but there are always those two, three, even five movies that you just can’t stop thinking and talking about after you leave. They capture the stories that you kind of fall in love with. This year, one of those films was Colossal.

The setup for Colossal isn’t necessarily simple, but here it goes. Gloria (Anne Hathaway) tries to deal with her alcoholism by going back to her hometown. Once there, she reconnects with her childhood friend, Oscar (Jason Sudeikis). They quickly indulge each others bad habits and become drinking buddies. After a particularly heavy couple of nights, the two learn that they could in fact be connected to the monsters suddenly appearing and destroying Seoul, Korea.

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September 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015

Acclaimed Danish filmmaker Nicolas Winding Refn is no stranger to Fantastic Fest, appearing in 2013 with Jodorowsky’s Dune and again last year for the documentary My Life Directed by Nicolas Winding Refn directed by his wife Liv Corfixen. He returned once again this year with Fantastic Fest serving as the perfect launching pad for his new book Nicolas Winding Refn: The Act of Seeing.

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October 5, 2015

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Electronic Magic – A Review of A Life in Waves

August 07, 2017 in Film, Reviews, Randall Lotowycz

“Play the one where it sounds like the whole studio is going to explode.”

Suzanne Ciani is a woman of great talent who found success in every area of interest she sought to explore. A pioneer of electronic music, her mastery of the modular synthesizer–a instrument in infancy when she discovered it–propelled her to much success in the fields of music and advertising. Her life and career(s) are brought to vivid life in Brett Whitcomb‘s documentary, A Life in Waves.

Despite the struggle of thriving in male-driven industries, Suzanne Ciani makes all her achievements seem so easy. With incredible drive and the talent to back it up, it’s clear there’s no doubt she can succeed in whatever she chooses. Her genius  is presented here through archival footage and interviews.

Ciani views the world differently than others, and somehow has a deeper understanding over it. She was able to hear music in electronic beeps when few others did. She understood how to create the sound effect of a Coca-Cola bottle being opened and poured; artificially created the sound was more real than an actual recording. How exactly she does these things is closely guarded, locked away in that great imaginative mind of hers, but though the film we get to witness that mind at work. It’s astonishing to watch. The film covers each step of her journey, from her beginnings with a Steinway piano, to scoring work on the film, The Stepford Wives and doing the sound design for a pinball machine to becoming a bonafide New Age recording star. The variety of achievements leaves the impression that tomorrow Ciani could create a sound that would cure all diseases if she wanted. Anything is within her magical reach.

Perhaps the film’s only shortcoming is that it leaves you wanting to know everything about her. Though it thoroughly tracks Ciani’s career and achievements, not a lot is given about her personal life. The film makes the point fairly clearly that there was little separating Ciana’s work from her life, but we’re kept at a distance when it comes to relationships. Early in the film, we hear from Ciani’s sisters, but they focused on what she was like as a child as opposed to the woman she became. Nothing is said about her relationship with her parents once she’s an adult. And even her marriage seems to begin and end in a single sentence. While her privacy should be respected, a little more insight into this part of her would have helped create a fuller picture of who she is.

We should all strive to achieve as much as Ciani has, but she set the bar high with her genius. With her many talents comes a warmth and enthusiasm without peer. Director Whitcomb has captured these traits in a truly heartwarming and inspirational film. A Life in Waves should be watched and celebrated.

Tags: Randall Lotowycz
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