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What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
  • Words 9
  • Paul Florez 7
  • Comics 6
  • Fantasia Festival 5
  • Art 3
  • Franchise Explainer 3
  • NYC Horror Film Festival 3
  • Robbie and Randall 3
  • Theater 2

Featured posts:

Featured
The Alejandro Jodorowsky Primer
July 7, 2017
The Alejandro Jodorowsky Primer
July 7, 2017

No word could better describe Alejandro Jodorowsky than hyperbole. He’s the embodiment of enthusiastic and emphatic energy unfettered from the physical world. He dances on a plane of existence to which we should all strive.

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July 7, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017

Filmmaker Nacho Vigalondo defies classification. He’s a sensation that exists somewhere between a contagious laugh and a sinister whisper. He’s a rare element formed by ancient mystics using unknowable alchemy. Nacho is hyperbole personified. Both he and his films exert a powerful gravity that pulls you in immediately.

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April 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016

The Eyes of My Mother was the very last film we watched at this year’s Fantastic Fest, and it also happened to leave one of the greatest impressions. The debut feature from writer/director Nicolas Pesce is a gorgeously shot work of horror with a career-launching performance by Kika Magalhães as Francisca, a young woman shaped by tragedy and isolation. Borrowing from our mini-review: To call the performance cold and detached would be an understatement. Every expression and movement is practically inhuman, as though her character truly never had a point of reference for how people act. Ms. Magalhães is simultaneously frightening and heartbreaking as the ethereal Francisca. With the film’s official release just days away, we sat down with Ms. Magalhães for an informative and fun conversation.  World, meet Kika Magalhães…

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November 28, 2016
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September 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
September 29, 2016

When you go to Fantastic Fest you expect to see a few films that surprise you. You’re never disappointed, but there are always those two, three, even five movies that you just can’t stop thinking and talking about after you leave. They capture the stories that you kind of fall in love with. This year, one of those films was Colossal.

The setup for Colossal isn’t necessarily simple, but here it goes. Gloria (Anne Hathaway) tries to deal with her alcoholism by going back to her hometown. Once there, she reconnects with her childhood friend, Oscar (Jason Sudeikis). They quickly indulge each others bad habits and become drinking buddies. After a particularly heavy couple of nights, the two learn that they could in fact be connected to the monsters suddenly appearing and destroying Seoul, Korea.

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September 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015

Acclaimed Danish filmmaker Nicolas Winding Refn is no stranger to Fantastic Fest, appearing in 2013 with Jodorowsky’s Dune and again last year for the documentary My Life Directed by Nicolas Winding Refn directed by his wife Liv Corfixen. He returned once again this year with Fantastic Fest serving as the perfect launching pad for his new book Nicolas Winding Refn: The Act of Seeing.

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October 5, 2015

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Saying Goodbye to Anton Yelchin

June 20, 2016 in Film, Randall Lotowycz

Actor Anton Yelchin died unexpected this weekend in what’s been called a freak accident. He was only 27 years old. Shock and sadness often comes along with the news of the death of a young and beloved public figure. Given the bizarre circumstances of Yelchin’s death, the news stings a bit more than usual. The actor emigrated to the United States from the former Soviet Union with his parents—both star figure skaters—when he was only 6 months old. He began acting professionally when he was 9. During his 16 years working, he amassed an impressive 65 film and TV credits, but it’s hard not to think he was just getting started.

Earlier this year, he starred in Jeremy Saulnier’s Green Room, a brilliant film with unrelenting tension and palpable terror. Yelchin anchored the film with an authentic performance that synthesized many of the characteristics he displayed in previous films. Despite his youthful looks, Yelchin wore a cloak of world-weariness, coming off an old soul who has already been through quite a bit. He was always relatable. When necessary, he could become undeniably charming. And, when he took on the role of Chekov in the rebooted Star Trek series, he was gleefully adorable. He was equally comfortable starring in a small independent feature as he was a major Hollywood blockbuster. I first took notice of him in 2006’s Alpha Dog, one of a few instances where the strength of his performance managed to elevate the film as a whole.

Currently, 5 films on which he worked have yet to be released. Additionally, for each of Yelchin’s films I’ve seen, there are 2-3 I haven’t. I look forward to viewing each one, but regret that myself and the rest of the world will not get to see what else he could have done with another few decades worth of work. My condolences to his family and friends at this time.

Tags: Randall Lotowycz
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