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What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
  • Words 9
  • Paul Florez 7
  • Comics 6
  • Fantasia Festival 5
  • Art 3
  • Franchise Explainer 3
  • NYC Horror Film Festival 3
  • Robbie and Randall 3
  • Theater 2

Featured posts:

Featured
The Alejandro Jodorowsky Primer
July 7, 2017
The Alejandro Jodorowsky Primer
July 7, 2017

No word could better describe Alejandro Jodorowsky than hyperbole. He’s the embodiment of enthusiastic and emphatic energy unfettered from the physical world. He dances on a plane of existence to which we should all strive.

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July 7, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017

Filmmaker Nacho Vigalondo defies classification. He’s a sensation that exists somewhere between a contagious laugh and a sinister whisper. He’s a rare element formed by ancient mystics using unknowable alchemy. Nacho is hyperbole personified. Both he and his films exert a powerful gravity that pulls you in immediately.

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April 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016

The Eyes of My Mother was the very last film we watched at this year’s Fantastic Fest, and it also happened to leave one of the greatest impressions. The debut feature from writer/director Nicolas Pesce is a gorgeously shot work of horror with a career-launching performance by Kika Magalhães as Francisca, a young woman shaped by tragedy and isolation. Borrowing from our mini-review: To call the performance cold and detached would be an understatement. Every expression and movement is practically inhuman, as though her character truly never had a point of reference for how people act. Ms. Magalhães is simultaneously frightening and heartbreaking as the ethereal Francisca. With the film’s official release just days away, we sat down with Ms. Magalhães for an informative and fun conversation.  World, meet Kika Magalhães…

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November 28, 2016
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September 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
September 29, 2016

When you go to Fantastic Fest you expect to see a few films that surprise you. You’re never disappointed, but there are always those two, three, even five movies that you just can’t stop thinking and talking about after you leave. They capture the stories that you kind of fall in love with. This year, one of those films was Colossal.

The setup for Colossal isn’t necessarily simple, but here it goes. Gloria (Anne Hathaway) tries to deal with her alcoholism by going back to her hometown. Once there, she reconnects with her childhood friend, Oscar (Jason Sudeikis). They quickly indulge each others bad habits and become drinking buddies. After a particularly heavy couple of nights, the two learn that they could in fact be connected to the monsters suddenly appearing and destroying Seoul, Korea.

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September 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015

Acclaimed Danish filmmaker Nicolas Winding Refn is no stranger to Fantastic Fest, appearing in 2013 with Jodorowsky’s Dune and again last year for the documentary My Life Directed by Nicolas Winding Refn directed by his wife Liv Corfixen. He returned once again this year with Fantastic Fest serving as the perfect launching pad for his new book Nicolas Winding Refn: The Act of Seeing.

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October 5, 2015

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Hope and Refrigerators – A Review of Hunter Gatherer

November 27, 2016 in Film, Reviews, Randall Lotowycz

Recently released from prison, Ashley Douglas (Andre Royo) is ready to restart his life. With little more than a toolbox full of his belongings–buried in his mother’s backyard–he aims to win back his ex Linda (Ashley Wilkerson), refusing to accept that she’s moved on. After a chance run-in, Ashley befriends Jeremy (George Sample III), a lonely young man who earns money through experimental medical trials and lives with his bedridden grandfather in a nursing home. Now with a partner, Ashley sets out to start a business disposing of unwanted refrigerators for $75 at a time, an enterprises that stalls immediately when Jeremy’s truck breaks down. Neither man has much going for them other than a strong sense of optimism and a desire to carve out some semblance of happiness in spite of all the obstacles thrown their way. Their lives and trials are brought to vivid and heartrending life in Hunter Gatherer, the debut feature film by Josh Locy.

Hunter Gatherer is a remarkable work of cinema that sticks with you long after watching. Every scene aches of humanity in a way few films have accomplished. Already an actor of note thanks to his roles in The Wire and Empire, Andre Royo delivers an awards-worthy performance as Ashley, a flawed but charismatic man who wants the best for himself, but often falls victim to self-sabotage and arrogance. You want to see him succeed so badly, which makes each setback more devastating than the last. Part underdog/part ne’er do well, Ashley never quite has the odds in his favor, but that does not damper is hope. As Jeremy, George Sample III is the perfect counterbalance. He’s quiet whereas Ashley is loud; thoughtful and calculating to Ashley’s impulsiveness. Ashley wants everything he feels he deserves; Jeremy just wants to care for his grandfather. Despite their differences, the two men both have large hearts, which solidifies their bond and the audience’s investment in the pair.

I want to list every authentic moment in the film, from Ashley shopping for a backpack to Jeremy naively asking if the doctor at the medical trial has his best interests in mind. If I were to go down that rabbit hole, I’d wind up transcribing the entire screenplay. Nothing feels out of place in the film. Every supporting character is as fully realized as Ashley and Jeremy, from Ashley’s mother (Celestial) who is patient with her son to a fault, to Jeremy’s aunt Nat (Kellee Stewart), a love interest Ashley is too distracted to pursue because of his feelings for Linda. The film’s camera work is subtle and effective. And the music by Keegan DeWitt is captivating–upbeat and unnerving in equal measures. It’s difficult to refrain from hyperbole when extolling the virtues of this film. Recently nominated for the John Cassavetes Award at the 2016 Film Independent Spirit Awards, which is given to the best film made for under $500k, Hunter Gatherer deserves large audiences and a great deal of acclaim. It’s easily one of the best films I have watched this year and one I plan on showing to others for years to come. Just thinking about the last shot, I’m torn between wanting to cry or start watching the film over again.

Tags: Randall Lotowycz
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