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What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
  • Words 9
  • Paul Florez 7
  • Comics 6
  • Fantasia Festival 5
  • Art 3
  • Franchise Explainer 3
  • NYC Horror Film Festival 3
  • Robbie and Randall 3
  • Theater 2

Featured posts:

Featured
The Alejandro Jodorowsky Primer
July 7, 2017
The Alejandro Jodorowsky Primer
July 7, 2017

No word could better describe Alejandro Jodorowsky than hyperbole. He’s the embodiment of enthusiastic and emphatic energy unfettered from the physical world. He dances on a plane of existence to which we should all strive.

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July 7, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017
A Colossal Interview with Nacho Vigalondo
April 6, 2017

Filmmaker Nacho Vigalondo defies classification. He’s a sensation that exists somewhere between a contagious laugh and a sinister whisper. He’s a rare element formed by ancient mystics using unknowable alchemy. Nacho is hyperbole personified. Both he and his films exert a powerful gravity that pulls you in immediately.

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April 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
November 28, 2016

The Eyes of My Mother was the very last film we watched at this year’s Fantastic Fest, and it also happened to leave one of the greatest impressions. The debut feature from writer/director Nicolas Pesce is a gorgeously shot work of horror with a career-launching performance by Kika Magalhães as Francisca, a young woman shaped by tragedy and isolation. Borrowing from our mini-review: To call the performance cold and detached would be an understatement. Every expression and movement is practically inhuman, as though her character truly never had a point of reference for how people act. Ms. Magalhães is simultaneously frightening and heartbreaking as the ethereal Francisca. With the film’s official release just days away, we sat down with Ms. Magalhães for an informative and fun conversation.  World, meet Kika Magalhães…

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November 28, 2016
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September 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
September 29, 2016

When you go to Fantastic Fest you expect to see a few films that surprise you. You’re never disappointed, but there are always those two, three, even five movies that you just can’t stop thinking and talking about after you leave. They capture the stories that you kind of fall in love with. This year, one of those films was Colossal.

The setup for Colossal isn’t necessarily simple, but here it goes. Gloria (Anne Hathaway) tries to deal with her alcoholism by going back to her hometown. Once there, she reconnects with her childhood friend, Oscar (Jason Sudeikis). They quickly indulge each others bad habits and become drinking buddies. After a particularly heavy couple of nights, the two learn that they could in fact be connected to the monsters suddenly appearing and destroying Seoul, Korea.

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September 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
October 5, 2015

Acclaimed Danish filmmaker Nicolas Winding Refn is no stranger to Fantastic Fest, appearing in 2013 with Jodorowsky’s Dune and again last year for the documentary My Life Directed by Nicolas Winding Refn directed by his wife Liv Corfixen. He returned once again this year with Fantastic Fest serving as the perfect launching pad for his new book Nicolas Winding Refn: The Act of Seeing.

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October 5, 2015

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Art by Mahmud A. Asrar

Art by Mahmud A. Asrar

Bobby, Are You Queer? X-Men’s Iceman Comes Out

April 22, 2015 in Comics, Nerdy, Randall Lotowycz

For those who haven’t been keeping up on the 52-year long soap opera that is the X-Men, the founding members of the team—as they were in the 1960s—have traveled to the present and got stuck there, potentially damaging the whole of space-time continuum if they remain.  And in the latest issue of All-New X-Men (#40 to be exact), Bobby Drake, aka Iceman, is outed by Jean Grey, his mind-reading teammate. He’s gay… and crushing on teammate Angel to boot!

It adds a new wrinkle into this already complex storyline. Readers have spent decades with a heterosexual Bobby Drake. How can his younger self be gay? Writer Brian Michael Bendis already has the difficult task of putting all the toys back into the toy chest and, at some point, returning these displaced X-Men to their proper timeline. Now Bendis will also have to tackle the questions raised by this new revelation and I couldn’t be more excited.

Comics tend to jump from one “nothing will be the same!” event to another.  Some are better than others, and the status quo of these characters are “forever altered,” until it all has to change again in six months. It gets exhausting. There’s even a term for it: event fatigue.  A centerpiece of these events is always the death of a major character. These days it’s a given the death will be reversed at some point. The character will come back to life. One writer—forgive me, I can’t recall who—said given the impermanent nature of death in comics, the compelling focus has to be on how the character comes back. While that’s an optimistic approach, it doesn’t leave room for much drama. I have my own take on how to squeeze some more excitement out of these deaths and resurrections but that’s for another article. I bring up the overused “death” event stories to emphasize just how great this latest twist in the X-Men saga is.

 I know some readers will complain that Bobby being gay will ruin him, or that he was turned gay for the sake of diversity. I’m just going to ignore the former, but in a way I agree with the latter. Bobby now gay is a sign of striving for diversity, but not in terms of inclusiveness; it’s diversity of narrative. We’ve seen characters die and come back. Others have turned evil and then returned the side of good. Many have traveled to the future and/or the past. Others have greatly altered their appearances and costumes. The fact Bobby is gay isn’t exciting. What’s exciting is Bendis and Marvel now have an opportunity to tell an entirely new story, unlike any told before. Let that sink in—an entirely new story.

We now have young gay Bobby existing in the same time period as his older “straight” self. The past 50+ years of comics haven’t been ruined or undone but now we might have a new perspective on the character. The older Bobby has to look the younger version of himself in the face and for the first time, and might not recognize himself in there. New questions have to be asked. Has the Bobby we’ve been reading about been in the closet this whole time, never experiencing the moment that now afforded to his younger self? How does that affect his older self? Will it allow the older Bobby to come out? Will he address having to suppress his true self, and that even by being an outsider (i.e., an X-Man), the taboos/fears of homosexuality were far greater? Or will he insist he’s straight and argue that young Bobby must really be from an alternate reality (it’s a comic, after all)? And how will others react? Disbelief? Happiness for their friend?  What’s his ex-girlfriend Kitty Pryde going to say?

For those who don’t want their X-Men comics focusing on things like sexual orientation, find another book to read. This series was constructed as a civil rights allegory. I’ll point you to the reading line on the main X-Men page over at Marvel.com, “Feared and hated by humans because they’re different, the X-Men are heroic mutants, individuals born with special powers who’ve sworn to use their gifts to protect mutants as well as humans.” If any comic were to address these issues—as civil rights for all still need to be fought for—X-Men is the book to do it.

 In a statement released via Marvel, Bendis states, “There are thousands if not millions of stories of people who, for many different reasons, felt the need to hide their sexuality. The X-Men, with the conceit of time travel, give us a fascinating platform in which to examine such personal journeys. This is just the first little chapter of a much larger story that will be told.”

With those few words, Bendis nails it. Using Sci-Fi tropes, he gets to explore sexual identity in a way it’s never been explored before.  It’s a huge promise and all bets are off. If you’ve ever complained that comics are always the same, here’s something else. We don’t know where this story will go, and have to pick up subsequent issues to find out. In a serialized medium, nothing is more irresistible than not knowing what happens next and counting down the days until you can learn more. Marvel, you have my attention.

All-New X-Men can be found at your local comic book store. To purchase a digital copy, head over to Comixology.com.

Tags: Randall Lotowycz
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