Gorgon Video is one of the essential 80s producers of what’s dubbed “horror cheapies,” films that probably didn’t have much of an onset budget beyond craft services and cocaine. Described as a company “focusing on the sub-genre of extreme horror and dark documentaries,” they’re best known for their classic VHS clamshell cases and the Faces of Death series, an utterly delightful video taboo among teenagers of every decade since its release.
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'Heathers: The Musical': An In-Depth Review (By a 'Heathers' Super Fan)
Heathers is the holy grail of teen-angst comedies. It’s dark, funny, endlessly quotable, and more on point than any other film of its kind (sorry Mean Girls). Filmed at the rise, and possible height, of Winona Ryder and Christian Slater’s Hollywood moments, director Michael Lehmann couldn’t have chosen two more perfect people for his stars. Collectively, they delivered a movie unlike anything created before or since. Writer Daniel Waters gave lines for days, ones that live on twenty-one years after the film’s release. He created a perfect, mirrored world where good intentions go to hell and motives are ambiguous at best, devious at worst. Needless to say, Heathers is an untouchable cinematic icon.
Like all beloved cult films, there’s always someone out there who wants to remake the story with their own hands. Sometimes these notions come in the form of a musical. Inspired, retooled, these films make their way to Broadway, both on and off, and incorporate songs and dances that sometimes add to the beloved experience – Young Frankenstein, Hairspray, and Evil Dead comes to mind. Other times, like with Re-Animator or Grey Gardens, the experience is fun, but ultimately unnecessary. Heathers :The Musical falls somewhere in between.
Read MoreThe Ink and Code’s Top Films of 2013
2013 was a great year for film. While it wasn’t an endless barrage of awesome, there were some that outshone the rest in big ways.
The Ink and Code’s Top Films of 2013
(This list is later than most, but I refuse to apologize)
'Grand Piano' Review
This year’s Fantastic Fest had some incredible entries. From thrillers to horror films to documentaries, it was pretty much the best time one could have in the dark aside from…well, you know. This was my first time there, and will be an ongoing tradition from this year on. I loved every God damn second of it, and I was heavy-hearted to see it end.
We saw an impressive eleven films in four days, and yet we barely scratched the surface. There were so many films and, sadly, so little time.
The best film of those eleven was inarguably Grand Piano. The film stars Elijah Wood in a career turning performance as a famed pianist being terrorized onstage during the night of his much-anticipated comeback. Frodo no more, this is the role that’s going to put Wood back on the marquee. Thankfully, though, he might be too cool for crappy mega-mainstream films. He was at Fantastic Fest not only looking stylish, but just hanging with fans and drinking beer like he was one of us. Because really, I think he is one of us – a movie lover through and through. he even got tattooed at the closing party! I have a newfound love for this guy.
Read MoreJodorowsky’s Dune - A Fantastic Fest 2013 Review
An adaptation of Frank Herbert’s Dune by filmmaker Alejandro Jodorowsky was perhaps too bold, too incredible to ever come into existence. The jovial and boisterous Jodorowsky, the director behind the surreal cult classics El Topo and Holy Mountain, set out to make a film he believed could change the world, perhaps the cinematic equivalent of the monolith in Kubrick’s 2001: A Space Odyssey, heralding the birth of a Star Child in our reality.
Read MoreMichel Gondry’s 'Mood Indigo' Review
As I said, Fantastic Fest 2013 was pretty much one of the best events I’ve been to. It wasn’t swank, it wasn’t “exclusive,” and best of all, it catered to film lovers on every level. Held at the infinitely awesome Alamo Drafthouse, it served as a mecca for cult lovers and film buffs alike. There were celebrities there mingling with the crowd like it was no big – and it was awesome.
Among the many world and first premieres was Michel Gondry’s latest opus, Mood Indigo. Hopelessly quirky, fun, colorful, upbeat, and even silly, the film starts off almost as an assault of cuteness. It is an adaptation of Boris Vian‘s 1947 novel Froth on the Daydream and its American edition Foam of the Daze, and perhaps the book is just as over the top. Nonetheless, it took me a moment to acclimate.
Read More'Interior. Leather Bar.' A Pseudo-Breakdown of the James Franco Film
If you haven’t heard of Interior. Leather Bar., it’s James Franco and filmmaker Travis Mathews’ re-imagining of the lost 40 minutes of the Al Pacino starring, William Friedkin created film Cruising. The film bleeds the lines between documentary, mockumentary, and cinematic narrative, and is an exploration of sexual and creative boundaries and freedoms put upon the creator and the observer. Needless to say, the film thoughtfully pushes lines far beyond expectation, and to various degrees of success.
Read MoreLook at His Shit: A Review of 'Spring Breakers'
Harmony Korine’s Spring Breakers is a bizarre, highly stylized piece of cinema, and a minor masterpiece, of sorts. It stars the media machine known as James Franco, the man who seemingly cranks out more projects than anyone. There’s not a time when he’s not doing SOMETHING – besides driving everyone crazy with that face. This movie is one of his highlights in 2013.
The film is about four college girls who lose their minds on spring break in South Florida (where else?). When they are arrested for partying, they’re bailed out by the mysterious gangster/rapper/crazy man, Alien (Franco). What happens next is raging spree of sex and crime and Britney Spears, and it’s mesmerizing.
Read MoreFive Awesome Things About the 'Guardians of the Galaxy' Movie
Ladies and gents, Five Awesome Things About Guardians of the Galaxy‘s upcoming movie adaptation:
Read MoreReview: ‘Kiss of the Damned’
The legend of Nosferatu never ceases to amaze, though it’s rare that a vampire movie is exciting anymore. The genre has been handed over to tweens and housewives and rabid bastions of non-taste in favor of safe-bets and box office revenue. The raw sex appeal, style, and yes, horror, three key factors that make these tales so alluring, have systematically been stripped away in favor of puppy-love and cutsie PG rated innuendoes. The vampire, it seems, has finally died.
But fans of this horror subgenre know that the vampire never really dies, it just goes back into the coffin for a while. It lurks beneath the floorboards, brooding and waiting, dreaming up new ways in which to fascinate and terrify a new generation. And good thing, because the best stories of the erotically undead come out of this brooding period.
One of those films is the curious, awesome Kiss of the Damned. It stars the inappropriately hot Milo Ventimiglia as Paolo, a successful writer who has escaped the city to a cottage in a small, upstate town. He’s sought tranquility from the crazy New York streets to focus on writing his next big hit, a film that everyone back home seems to be eager for.
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